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Has Nikon just registered the Nikon D6?

While we’ve seen plenty of news from other camera manufacturers this year, Nikon has been mysteriously quiet since their official announcement of the existence of the Nikon D6 (with literally no other information other than that). Since then, the only other details we’ve been able to glean have been from camera rumor sites, who have been diligently reporting potential leaks.

However, thanks to Nikon registering a new camera with the Taiwan NCC agency, we might finally have more official information. While the camera model is merely titled ‘N1823’, it’s likely to be the Nikon D6. This is because the battery is the ‘Nikon EN-EL18c’, which has previously been used for the Nikon D4, D4s and D5 cameras. 

• Read more: Best Nikon camera

As reported by Nikon Rumors, while there aren’t many new details ripe for the picking, there are a few interesting tidbits of information to examine. The first is that the Nikon D6 obviously won’t be receiving a new battery. However, with the Nikon D5 rated at 3,780 shots, it’s not as if Nikon users were desperate for significant improvements in that area.

One of the more interesting pieces of information is that it looks as if the Nikon D6 will have built-in GPS. Until now, the only Nikon cameras to have this feature have been the COOLPIX models. Other Nikon cameras have been able to use optional accessory GPS devices, but the D6 will definitely be a GPS pioneer for Nikon. Other details confirmed are that the Nikon D6 will have Wi-Fi and Bluetooth. 

However, while there isn’t any more information from this camera registration, there are a few more rumors that Nikon Rumors has collected. Apparently, the Nikon D6 might have a 20MP sensor, not the 24MP sensor that was previously reported. It’s also rumored that while the D6 won’t have in-body image stabilization, it will be capable of 14 fps in normal shutter mode (compared to the Nikon D5’s 12 fps). 

The official announcement of the Nikon D6 is expected to be in mid-February, so we don’t have long to wait until we can examine the official specs. In the mean time, if we hear any more exciting rumors, we’ll let you know straight away.

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Nikon finally updates its most popular full-frame DSLR

This week at CES, Nikon is announcing the new D780 DSLR. It’s the long-awaited successor to the D750, which came out in 2014 and is described by Nikon as its most popular full-frame DSLR ever.

The D780 still has a 24-megapixel full-frame sensor, but now it has backside illumination that should further boost the camera’s low-light performance. ISO is now up to 51,200 native and expandable to 204,800. The image processor has also been upgraded to the Expeed 6 chip found in the latest Z6 and Z7 mirrorless cameras.

Nikon says the autofocus system is much-improved, making use of an algorithm from the pro-level flagship D5. (As an aside, the upcoming D6 isn’t getting a full reveal at CES.) When using live view, the D780 has the same 273-point AF system as the Z6, which should make it a much more practical option than other DSLRs if Nikon’s claims hold true. The live view mode supports continuous electronic shutter speeds of up to 12 frames per second, while the mechanical shutter can fire at up to 7 frames per second.

The D780’s video support is comparable to the Z6’s, with 4K/30 and 1080p/120 options and 10-bit output with N-Log or HLG HDR. There’s a tilting 3.2-inch screen that has gained touch functionality, while the body continues to be rugged and weather-sealed. Nikon has added USB-C connectivity and charging along with Wi-Fi and Bluetooth support.

Nikon is selling the D780 later this month for $2,299.95 body-only or $2,799.95 bundled with a 24-120mm f/4 lens.

Nikon’s other CES announcements include a $2,599.95 Z-mount 70-200mm f/2.8 lens; a $9,499.95 F-mount 120-300mm f/2.8 lens; and the Coolpix P950, a $799.95 point-and-shoot superzoom camera with an 83x 24-2000mm-equivalent lens. All three products will be available in February.

Source: The Verge

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Nikon D750 rumored to get a successor at CES 2020

Mirrorless cameras may be all the rage in 2020, but both Canon and Nikon aren’t keen on seeing DSLRs disappear, with a successor to the now five-year-old Nikon D750 likely to join the ranks this month.

According to reliable camera news leaker Nokishita, Nikon is preparing to announce what will likely be designated the D780 “soon”, along with another CoolPix shooter and two new lenses.

Translated, the above tweet says that Nikon has updated its product list in overseas markets (exactly where is as yet unknown) to include the D780, a CoolPix P950 superzoom bridge camera, an AF-S Nikkor 120-300mm f/2.8E lens and a Z series 70-200mm f/2.8 lens. Although the tweet states that the products will be “announced soon”, unconfirmed reports suggest that the official announcement date will be January 7, the first day of CES 2020.

Source: Tech radar

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Nikon D6: everything we know so far

DSLRs have taken a back seat to mirrorless cameras in the past few years, but the 2020 Olympic Games will see professional, sports-focused flagships from Canon and Nikon face off again, just like the old days.

In the red corner, there’s the incoming Canon 1DX Mark III, which has been confirmed as being in development. And in the opposite corner is the Nikon D6, which was also given a development announcement in September 2019.

While not exactly hybrids of DSLRs and mirrorless tech, both cameras are promising to mix some of the best features we’ve seen from the latest mirror-free models, like advanced autofocus and in-body image stabilization, with traditional DSLR traits like optical viewfinders and lengthy battery lives.

2019 marks the 20th anniversary of the Nikon single-digit D series, which launched in 1999 with the Nikon D1, and the company promises that the D6 will be “the most advanced digital SLR to date”.

At the moment, we don’t have any official specifications – just some fairly realistic rumors – but we can offer plenty of informed speculation, based on what we think is likely to appeal to professional photographers four years on from the D5. 

At the time of the D5’s launch, the camera market was in a very different place. Mirrorless existed – even full-frame mirrorless – but the number of players was limited, with Nikon and Canon yet to enter the full-frame mirrorless market. 

Many may wonder why the D6 is even in development – after all, why not just go full pelt with a highly-specced pro mirrorless model, such as the Sony A9 (and the upcoming Sony A9 II), and get out of the top-flight DSLR game altogether?

Well, one reason is that if you’re a seasoned pro you’re likely to already have a kitbag packed full of Nikkor DSLR lenses – it’s one thing asking pros to splash the cash on a new body, but an entirely new kit? That’s a tougher challenge. Give it another five years though, and pros might be more willing to make the leap. 

For now, what can we expect the Nikon D6 to include?

Nikon D6: release date and price

A recent leak from Nikon Rumors has suggested that the Nikon D6 will be announced in mid-February, with February 11 2020 apparently a possibility for the release date.

This may be a date for the internal team, though, with another potential release being at Japan’s CP+ camera show, which starts on 27 February.

So far, there haven’t been any leaked prices for the D6, but we can make an educated guess based on previous pricing. The Nikon D5 had a body-only price of £5,200 / $6,500 at launch, so it seems likely that its successor will be in the ballpark. 

This would also put it firmly in the same territory as its main rival, the incoming Canon 1DX Mark III, which is similarly vying for the camera bags of professional sports photographers.

Nikon D6: sensor 

While we have no confirmed information about the D6 sensor, a recent leak from the usually reliable Nikon Rumors suggests it will be a 24MP camera.

This is a step up from the D5’s 21.3MP CMOS sensor but, like the Sony A9 II, it doesn’t go as far as adopting the high-resolution sensors seen in the likes of the Sony A7R IV.

This makes sense, as the Nikon D6 is designed for sports photographers looking to fire off lots of frames to capture the perfect moment. A very high-resolution sensor would impact both shooting speed and workflow due to file sizes, so the 24MP sensor would seem to the sweet spot.

It’s not yet clear exactly how fast the Nikon D6 will be able to shoot, but its burst rate will certainly be quicker than the Nikon D5, which managed 12fps. We’d anticipate it going closer to the 20fps that we’re going to see on the new Canon 1DX Mark III.

Nikon D6: video features

The Nikon D5 was the first Nikon DSLR to be capable of recording high-definition 4K/UHD movies in-camera, and we can expect the D6 to build on that – professional shooters are increasingly being asked to supply video content as well as stills. 

Perhaps we’ll see 6K recording capability make its debut with the D6 – perfect for capturing those 100m finals – while we’ve also seen other manufacturers hint that 8K will be ready for the Olympics; if Nikon was to jump on board with that kind of technology in the D6, it’d be mighty interesting.

The latest rumors, though, suggest the D6 will be going for the more standard 4K/60p video, which is understandable considering it’s mainly aimed at pro stills photographers.

Nikon D6: design 

Nikon was kind enough to supply a small picture of the impending D6 in its development announcement. It’s presumably a mock-up, rather than a final rendering, and it looks pretty much exactly like the D5, but with a 6 in place of the 5 in the name. 

It would come as no surprise to see Nikon keep to a very similar form factor as the D5’s for the D6 – after all, expecting pros to get used to a drastically new way of working is a big task. The square shape of the D5 allows it to incorporate a battery grip for extended battery life, and we expect the D6 to blow its mirrorless rivals out of the water for longevity by doing the same thing. 

Also announced as being in development at the same time as the D6 was a new 120-300mm f/2.8E FL ED SR VR telephoto lens, which looks set to be a bit of a beast – the Nikon D6 will have to be large enough to balance well with such lenses, which are popular with sports and wildlife shooters.

Nikon D6: mirrorless features?

Given the popularity of mirrorless models, it would make a lot of sense for Nikon to incorporate some of the features we’d more commonly associate with mirrorless cameras into the D6. 

There is of course a limit to what those features might be, thanks to a pesky thing called physics, but there’s every possibility that we might see improved in-body image stabilization, plus a new silent shooting mode for those quiet moments (something which has proved incredibly useful and popular on the Sony A9). 

We’d also expect to see an improved autofocus system on board. It’s not like the D5 was a slouch, but perhaps Nikon could bring over the on-sensor PDAF (phase detection autofocus system) from its Z-series cameras to enable better live-view autofocus.

Nikon D6: card slots and connectivity

Dual memory card slots are pretty much a given. The Nikon D5 can be bought with either 2x XQD slots, or 2x CF slots, but Compact Flash is pretty old hat now, so we’d expect the D5 to be equipped with slots for two CFExpress memory cards (which are the same size and shape as XQD cards), with backwards compatibility for those who already have a stack of XQD cards in their possession. 

New dual Expeed processors will likely feature, and we may even finally see the appearance of Wi-Fi on a top-of-the-line pro DSLR. Nikon has previously claimed that it wasn’t possible to include Wi-Fi inside the thick, sturdy bodies of its professional-level cameras, but not having this feature would make a camera launched in 2020 feel extraordinarily outdated – hopefully Nikon can come up with a solution. 

So that’s about all we have on the Nikon D6 for now – a set of educated guesses. We’ll update this page regularly as more rumors begin to appear, so stay tuned.

Source: Techradar

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Nikon announces small and lightweight Z50 mirrorless camera with APS-C sensor

Nikon is today introducing an entry-level, crop-sensor camera that uses the same Z-mount system as the company’s Z6 and Z7 full-frame mirrorless cameras. The new Z50 costs $859 body only, and Nikon is also introducing two new DX-format lenses alongside it. You can bundle the camera with a 16-50mm f/3.5-6.3 VR lens for $999.95, and there’s also a two-lens kit that adds a 50-250mm f/4.5-6.3 VR lens for a total of $1349.95. Even then, you’re still coming in below the $1,800 Z6, but obviously these cameras are targeted at very different audiences. This one is made for the Instagram generation and for people who want a “real” camera for video. Nikon says the Z50 will ship in November.

The Z50 has a 20.9-megapixel CMOS sensor, weighs under a pound, and has a flip-down rear display for selfie photos and vlogging. (There’s even a Selfie Mode that disables most controls when the screen is down so you don’t accidentally mess up the camera’s settings.) But if you put the Z50 onto a gimbal, the screen will be blocked if it’s flipped. That’s not great for vlogging, so Nikon is developing its own handle for the Z50. The Z50 has a mic input, but no headphone jack among its ports.

You can immediately feel and appreciate the Z50’s smaller size and weight when compared to Nikon’s pro-level mirrorless cameras. Thankfully it retains an electronic viewfinder (2.36-million dots) and 3.2-inch rear LCD, and the grip was comfortable for my large hands. Nikon says the benefits of the Z mount (such as the shorter flange distance) carry over to a crop sensor for an upgrade in image quality.

The camera is capable of 11fps continuous shooting (with auto focus/exposure) and has a 209-point phase detect autofocus system, which covers 87 percent of the frame horizontally and 85 percent vertically, according to Nikon. When in low-light mode, the Z50 can focus at -4 EV, which is better than some of the company’s DSLRs like the D7500. The standard ISO range is 100 up to 51,200. There’s a pop-up flash built into the camera, as well. Nikon’s eye-detection autofocus is included, and you can toggle between different eyes if there are multiple people in frame.

You get 4K video recording at up to 30fps (with full sensor readout), and there’s also a 120fps slow-mo mode in 1080p. Videos can be shared wirelessly from the camera to your phone, which is a first for Nikon cameras. A time-lapse mode is also available in-camera, and Nikon includes multiple picture control modes that you can customize to your liking to reduce the need for post-processing before uploading your shots to Instagram.

Aside from a smaller sensor, the other thing the Z50 loses out on compared to the Z6 and Z7 is Nikon’s excellent in-body image stabilization. The new lenses offer vibration reduction (image stabilization), but the IBIS in Nikon’s pricier mirrorless cams allowed for some brilliant, tack-sharp shots when I was reviewing them. Aside from the engineering challenge of squeezing that stabilization into the Z50’s smaller body, it also would’ve raised the camera’s price.

The Z50 has a magnesium alloy construction and some level of weather resistance — but Nikon says it’s not quite up to the same level as the Z6 and Z7. There’s a single UHS-I SD card slot, and the camera uses a Micro-B connector rather than USB-C. It also has an all-new battery, the EN-EL25.

Though it shares many of the design traits of the Z6 and Z7, Nikon is very much positioning the Z50 as an answer to the latest crop-sensor mirrorless cameras from Sony and Fujifilm. The 16-50mm kit lens looks terrifically compact and lightweight, and I imagine that’ll be the take-everywhere pick between the two Z-mount DX lenses that Nikon has ready for this camera. Unfortunately, early buyers will be left without any inexpensive primes. (Yes, the FTZ mount adapter can also be used if you want to attach FX lenses to the Z50, but Nikon isn’t bundling it with a discount this time around.)

It’s easy to nitpick the Z50 for what it might lack — and it would’ve been nice if Nikon had shipped a camera like this much sooner. But I’m still looking forward to seeing what difference the Z mount makes here.

On the complete opposite end of the spectrum, Nikon also announced that it will soon release its 58mm f/0.95 S Noct lens for the Z mount. The company talks up this manual-focus glass as being among the greatest lenses it has ever manufactured — and certainly the fastest. As you might guess, the price tag reflects as much. The Nikkor Z 58mm f/0.95 S Noct lens will be available from select retailers beginning October 31st for $7,999.95.

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Lensbaby shifts its focus to Canon EOS R and Nikon Z lines

Lensbaby has made a name for itself crafting offbeat lens options, with its psychedelic images characterized by sweet spots that quickly blend into trippy, blurred peripheries. 

The company has done a stellar job of catering for users of various DSLR and mirrorless marques, and now the company is adding two more, with the announcement that many of its most popular models are to be available in Canon EOS R and Nikon Z mounts.

The Portland-based company has confirmed that the Sol 45mm f/3.5, Trio 28mm f/3.5, Composer Pro II, Velvet 56mm f/1.6 and Velvet 85mm f/1.8 will be available in both Canon EOS R and Nikon Z fits.

Lensbaby currently caters for users of many different DSLRs and mirrorless systems.
(Image credit: Future)

Currently, those wishing to use existing Canon EF- or Nikon F-mount Lensbabies with their newer mirrorless bodies can do so via lens adapters available for both new mirrorless systems.

That’s great for older options like the Control Freak and Spark, which aren’t currently available in these new mounts, although these fresh options have the advantage of negating the need for adapters.

US Lensbaby fans can order the new optics from the company’s website, while those in the UK can get them from Wex Photo Video.

Source: TechRadar

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Nikon goes long with portrait-friendly NIKKOR Z 85mm f/1.8 S

Just a day after it seemed Nikon was readying its much-coveted – but still not actually available – NIKKOR Z 58mm f/0.95 S Noct for release, the company has confirmed that another of its promised lenses will be with us shortly.

The Nikon NIKKOR Z 85mm f/1.8 S is the longest prime lens for the Z mount so far, and one of four fresh lenses that have been promised before the end of the year. 

Nikon makes some grand clams for its new lens, including exceptional sharpness to the corners of the frame at even its widest f/1.8 aperture. This has been achieved through a fresh optical design that sees 12 elements arranged over eight groups, with two extra-low dispersion elements to combat chromatic aberration and Nano Crystal Coat technology to help banish flare and ghosting.

Also helping to control flare and ghosting is a round hood that ships with the lens as standard, while nine-diaphragm blades inside the lens should ensure that bokeh is nice and smooth. 

And while there’s no image stabilization inside the lens, users of the current Nikon Z6 and Z7 already have this in their camera bodies, which should make shooting with the lens at slow shutter speeds possible.

Much like the other two prime lenses in the line, the NIKKOR Z 85mm f/1.8 S has a streamlined, minimal design, with a deep control ring that can be customized to perform manual focus, aperture adjustment or other tasks, together with a switch that flicks between autofocus and manual modes. The body also has a dust and drip-proof design to keep its insides protected.

Primed for video

While the lens will be a natural choice for portraiture, Nikon is also keen to highlight its suitability for video work, with an ultra-quiet focus motor and minimized focus breathing, along with its de-clicked control ring for the adjustment of key settings during video recording. 

Right now, the lens is only compatible with the Z6 and Z7 models that were announced last year, although Nikon is rumored to be working on both entry-level and pro-grade bodies to expand its Z-series lineup.

Aside from the NIKKOR Z 58mm f/0.95 S Noct, the company is due to release the 24mm f/1.8 S and 70-200mm f/2.8 S lenses, both of which are still under development. That will make a total of nine native lenses for the line, with many more in the works for 2020.

The NIKKOR Z 85mm f/1.8 S is due to arrive in September, priced at $799.95 in the US and £799 in the UK. Pricing for Australia hasn’t yet been confirmed.

Source: TechRadar